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TZID:America/Phoenix
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DTSTART:19700101T000000
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BEGIN:VEVENT
UID:27ce3dea-cdc6-42e8-b04a-c62ecb2638c6@findlocal.community
DTSTAMP:20261026T183127Z
DTSTART;TZID=America/Phoenix:20261104T180000
DTEND;TZID=America/Phoenix:20261104T200000
SUMMARY:Holy Wave
DESCRIPTION:6pm | 7pm | Advance $18 Day of Show $22 + Dice Fees | 21+ W/ 
 Queen Serene In Ensenada\, Mexico\, where the Pacific horizon cuts a cle
 an\, unwavering line\, Holy Wave recorded their latest full-length\, i’m
  DADA\, a record that feels both expansive and newly concentrated for th
 e subterranean pop four-piece. Stepping outside the United States was le
 ss a retreat than a shift in perspective\, creating distance to recogniz
 e a new sound that had been slowly taking shape among them. i’m DADA qui
 ckly revealed its character: more propulsive\, more candid\, and their m
 ost structurally deliberate work to date. Working alongside experimental
  duo Lorelle Meets the Obsolete at their studio El Derrumbe the sessions
  folded community into the album\, though its emotional core had already
  formed over months of pre-production. Half of Holy Wave is Mexican\, wi
 th roots in the El Paso border region\, so recording in Ensenada felt in
 tuitive and relaxed. Joo Joo Ashworth\, mixing engineer and longtime fri
 end\, also provided a pivotal presence helping crystallize the album’s r
 hythmic language and subtly expanding the band’s sound. The songs began 
 reflecting conversations about fatherhood and partnership\, breakups and
  estrangement\, the queasy acceleration of AI\, and what it means to rem
 ain present and principled while the world lurches unpredictably forward
 . This tension is not announced but absorbed into the music. Holy Wave s
 tretches their familiar sense of woozy atmosphere into something leaner 
 and more direct. There are more loops and samples woven throughout than 
 before\, grooves that feel constructed\, cyclical\, hypnotic. Some track
 s drift toward dub’s elastic spaciousness\; others pulse with cinematic 
 downtempo gravity. There is a fresh sense of momentum throughout the rec
 ord\, rhythms that pull forward\, dream-saturated textures\, sheets of f
 uzz\, and softly suspended vocals. “dewey’s dirge” unfolds patiently: ha
 zy guitars bloom\, a softened motorik pulse moving steadily beneath. The
  vocals remain submerged\, widening rather than exploding. It feels expa
 nsive and reflective\, a comedown hymn that trades drama for immersion. 
 “i’m DADA\,” by contrast\, locks into a lean\, circular groove. A tight 
 drum figure\, rubbery bassline\, and clipped guitar phrase repeat until 
 they begin to feel animate. Lyrically\, the song circles the complicated
  devotion of fatherhood\, written in a brief pocket of rare solitude for
  a parent: Always loving (Try to do what’s right) Always learning (There
 ’s never enough time). “s33.u.in/HAL” plays like a transmission caught m
 idair\, faintly mechanical\, immersive without ever fully resolving\, ca
 pturing the album’s central sensation: the act of trying to communicate 
 clearly through static. If earlier Holy Wave records often felt defined 
 by their sense of drift\, i’m DADA feels newly grounded. The album doesn
 ’t abandon immersion\; it disciplines it. Grooves settle\, repetitions a
 ccrue weight\, and the music is composed and unshaken amongst its heavie
 r themes. What emerges is not reinvention but a sharpening\, with Holy W
 ave sounding less like a band drifting through atmosphere and more like 
 one deliberately shaping it amongst the chaos.\n\nTickets: https://link.
 dice.fm/y9fbc91b856a\n\nhttps://findlocal.community/event/27ce3dea-cdc6-
 42e8-b04a-c62ecb2638c6
LOCATION:Hotel Congress\, 303 East Congress Street\, Tucson\, AZ 85701
URL:https://findlocal.community/event/27ce3dea-cdc6-42e8-b04a-c62ecb2638c
 6
STATUS:CONFIRMED
SEQUENCE:0
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