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UID:72f2c8d3-6354-4050-9f3b-0e44f2205286@findlocal.community
DTSTAMP:20261012T014947Z
DTSTART;TZID=America/New_York:20261011T190000
DTEND;TZID=America/New_York:20261011T210000
SUMMARY:Laura Veirs Karl Blau opens
DESCRIPTION:Laura Veirs returns with Temple Songs\, her first album in fo
 ur years—and the first she has written\, recorded\, arranged\, produced\
 , and performed entirely on her own. “I didn’t know if I would write son
 gs again\,” says Veirs\, who spent the intervening years building a back
 yard studio\, getting married\, blending a family with four teenagers\, 
 deepening her visual art practice (painting)\, and expanding her music t
 eaching. “Turns out that period was a gathering phase. When I made the c
 ommitment to recording the album myself\, the muse caught me again and i
 t came together very quickly.” Written and recorded in three months in t
 he fall of 2025 in Veirs’ backyard “Temple of Bloom” studio\, Temple Son
 gs marks a new level of artistic independence. While 2022’s Found Light 
 (co-produced by Veirs and Shahzad Ismaily) was a declaration of autonomy
 \, Temple Songs goes further: every creative decision—what to record\, h
 ow to record it\, and how it should sound—was Veirs’ alone. Made with ju
 st two mics and a laptop in a 10’ x 14′ room\, the album feels unmistaka
 bly “Veirs-ian\,” yet strikingly new. Veirs embraced the Japanese concep
 t of wabi-sabi throughout the process\, choosing not to pitch-correct vo
 cals or edit out rough edges. “I wanted to make something that sounds as
  organic and human as possible\,” she says. Mixing by Philip Weinrobe (A
 drienne Lenker) adds sympathetic finishing touches to Veirs’ 14th solo a
 lbum. Because the Temple of Bloom wasn’t built for recording\, the studi
 o itself became a collaborator. Veirs paused takes for rain on the skyli
 ght—or let it stay. She waited out neighbors’ conversations\, raced to f
 inish a sensitive vocal before a stump grinder roared to life\, and incl
 uded the presence of resident bluejays\, passing crows\, and other neigh
 borhood sounds. These ambient intrusions lend the album an intimate\, li
 ved-in authenticity. Influences range from Mac DeMarco’s commitment to t
 rusting his personal taste to the anarchists and feminists of the late 1
 800s and their rallying cry\, “no gods\, no masters.” “It was hard to ge
 t the white man off my shoulder\,” Veirs says. “I wrestled with a lot of
  doubt. But there were many happy accidents and eventually I found a flo
 w—seeing the studio again\, for the first time since my 20s\, as a priva
 te place for exploration.” Clocking in at a concise 30 minutes\, Temple 
 Songs’ 11 tracks capture a songwriter in peak form. The album is intimat
 e\, dreamy\, brave and quietly defiant\, built around Veirs’ intricate f
 ingerstyle nylon-string guitar\, vulnerable vocals\, and bold electric g
 uitar embellishments. “Arc Still Bends” reflects feelings of contemporar
 y futility\, offset by a hopeful chorus. “River’s Song\,” an ode to one 
 of Veirs’ children\, showcases her gift for simplicity and emotional pre
 cision. “Pulse” veers into art-experimental territory\, culminating in a
  cacophonous duet between electric guitar and sax. “No Masters” is a spa
 rse\, punk rock call for collective self-determination\, while “Sunlight
  and Doom” incorporates elemental fragments from the ancient Greek lyric
 ist Sappho. Veirs played guitars\, bass\, drums\, tambourine\, percussio
 n\, and sings vocals\; the only outside contribution is saxophone by a s
 ecret special guest. She used no click tracks and no electronic instrume
 nts\, working by feel and intuition while watching bamboo sway outside h
 er studio window. At 52\, three decades into her career\, Veirs reconnec
 ts with herself through a radically new process—one that feels both fres
 h and profoundly earned. She also designed the album’s calligraphy and p
 aper-collage back cover art\, extending the project’s handmade ethos. “I
  needed to make this to connect more deeply with my taste\, aesthetics\,
  and confidence\,” says Veirs. Longtime fans will recognize the core of 
 Laura Veirs here—unfiltered and renewed—and new listeners will discover 
 an artist fully inhabiting her creative powers.\n\nTickets: https://pass
 im.my.salesforce-sites.com/ticket/#/instances/a0FRQ00000FsByj2AF\n\nhttp
 s://findlocal.community/event/72f2c8d3-6354-4050-9f3b-0e44f2205286
LOCATION:Club Passim\, Cambridge\, MA
URL:https://findlocal.community/event/72f2c8d3-6354-4050-9f3b-0e44f220528
 6
STATUS:CONFIRMED
SEQUENCE:0
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