BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//Find Local//findlocal.community//EN
CALSCALE:GREGORIAN
METHOD:PUBLISH
BEGIN:VTIMEZONE
TZID:America/New_York
BEGIN:DAYLIGHT
TZOFFSETFROM:-0500
TZOFFSETTO:-0400
TZNAME:EDT
DTSTART:19700308T020000
RRULE:FREQ=YEARLY;BYMONTH=3;BYDAY=2SU
END:DAYLIGHT
BEGIN:STANDARD
TZOFFSETFROM:-0400
TZOFFSETTO:-0500
TZNAME:EST
DTSTART:19701101T020000
RRULE:FREQ=YEARLY;BYMONTH=11;BYDAY=1SU
END:STANDARD
END:VTIMEZONE
BEGIN:VEVENT
UID:b7cabc9c-ec46-43c9-a274-07bb7ea4102f@findlocal.community
DTSTAMP:20261015T143015Z
DTSTART;TZID=America/New_York:20261204T183000
DTEND;TZID=America/New_York:20261204T203000
SUMMARY:Turnover
DESCRIPTION:Front man Austin Getz doesn't blink when asked to sum up Turn
 over's third full-length\, Good Nature. "Learning\," he replies. "This w
 hole record is about learning. Opening your eyes to new things\, going o
 utside of your comfort zone\, and learning to grow into something new." 
 Turnover's previous full-length\, 2015's Peripheral Vision\, won acclaim
  for showcasing a dreamier side of the band's melodically-charged sound\
 ; Billboard noted that "the quartet has morphed into a moody\, atmospher
 ic indie rock band\, without losing its knack for hooks." As easy as it 
 might have been to replicate that success for its third album\, the band
  resisted the urge to play it safe. "It can be hard to be honest with yo
 urself sometimes when it comes to creativity\," Austin admits. Excited b
 y the opportunities for personal and creative growth the band experience
 d in the wake of Peripheral Vision\, they worked hard to strike a balanc
 e for its follow-up\, "writing good songs but pushing boundaries\, witho
 ut getting strange just for the sake of being strange." As the range of 
 textures\, tempos\, and dynamics on Good Nature hints\, the members of T
 urnover have been listening to a wider range of musical styles over the 
 past couple years. Vintage Southern soul and blues\, Bossa nova and cool
  jazz\, electronic music\, and psychedelic grooves all filtered into the
  mix. "The new record definitely has a different rhythmic feel because o
 f that\," he observes. "The melodies we wrote for this record are very d
 ifferent\, much less linear. They're much more soulful and move around a
  lot." Listening to how the leisurely "Nightlight Girl" melts into a mor
 e propulsive selection like "Breeze\," and the way Good Nature flows tog
 ether as a seamless whole\, it's also evident that the foursome has been
  paying closer attention to how artists from earlier eras made full-leng
 th albums. "The Beach Boys' Pet Sounds has become one of my top five fav
 orites of all time\," says Austin\, citing not only the quality of the i
 ndividual selections\, but also the careful sequencing and use of space 
 in the arrangements. "I read a huge article on Frank Ocean toward the en
 d of writing Good Nature\, talking about taking his time on his records 
 and being patient with the process\, and that really inspired me\, too."
  At the same time Austin and his cohorts were opening up their ears\, th
 ey were opening up their understanding of themselves too: "A big chunk o
 f the record is learning to be happy." Not full-throttle exuberance\, bu
 t something much more subtle and satisfying. The almost beatific radianc
 e that imbues Good Nature comes from a place of calm and contentment\, n
 urtured by looking inward. "Peripheral Vision was mostly a record about 
 feeling emptiness and not knowing what to do. This one is about the step
 s I took after feeling those things\, and where those steps took me\, an
 d learning to try to love the emptiness." The album's unique blend of mu
 sical and spiritual growth is immediately audible on the opening track\,
  "Super Natural\," a late-summer idyll of intertwined guitar parts and l
 aidback vocals. "More than anything else\, love has the ability to teach
  people selflessness\," says Austin. "That song is specifically about ju
 st one type of love\, romantic love\, and how it became almost meditativ
 e for me. It made me feel so relaxed\, but at the same time I could feel
  it was something so big … it's 'super natural' and it's 'supernatural.'
 " From the flora and fauna that adorn its cover\, to song titles like "B
 utterfly Dream" and "Sunshine Type\," the natural world also plays a piv
 otal role in Turnover's latest. "Nature is a huge theme\, because nature
  has been the teacher in my life when it comes to many things." To recor
 d Good Nature\, Turnover reunited with longtime producer Will Yip. Toget
 her\, they spent more time in the studio than on any previous Turnover r
 ecord\, devoting hours of pre-production to methodically going through t
 he new songs\, fine-tuning parts and writing additional melodies. The bu
 lk of the lyrics\, however\, were finalized during the band's 2016 Europ
 ean tour. "That was a beautiful atmosphere to be doing it in – and the m
 ost intense experience I've ever had as a writer." Turnover formed in 20
 09 in Virginia Beach\, VA and has gone on to tour extensively throughout
  North America\, Europe\, Australia\, and Japan. Their discography inclu
 des three full-length albums and countless EPs and split-singles\, inclu
 ding last year's Humblest Pleasures EP. "It's really cool to see all the
  change\, from the first songs we ever wrote\, right up to Good Nature\,
 " concludes Austin. Eight years into their career\, Turnover sound bette
 r than ever. Slip on your headphones\, open up your ears\, and learn for
  yourself what the excitement is all about.\n\nTickets: https://www.axs.
 com/events/1496411/turnover-tickets?skin=fmh\n\nhttps://findlocal.commun
 ity/event/b7cabc9c-ec46-43c9-a274-07bb7ea4102f
LOCATION:Franklin Music Hall\, 421 North 7th Street\, Philadelphia\, PA 1
 9123
URL:https://findlocal.community/event/b7cabc9c-ec46-43c9-a274-07bb7ea4102
 f
STATUS:CONFIRMED
SEQUENCE:0
END:VEVENT
END:VCALENDAR