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UID:db579b30-3c32-4d4a-b130-6072edc8ba98@findlocal.community
DTSTAMP:20261026T212913Z
DTSTART;TZID=America/New_York:20261128T180000
DTEND;TZID=America/New_York:20261128T200000
SUMMARY:Suicide Silence
DESCRIPTION:General Admission tickets are Standing Room Only. “SUICIDE SI
 LENCE is back to being Suicide Silence\,” declares founding guitarist\, 
 Chris Garza. “It took years of hell to get here\, but we’re better for i
 t.” Indeed\, the California quintet that put deathcore on the map (and i
 nstalled themselves as a mainstay in modern extreme metal) has come full
  circle. They’re here to kill. With Remember…You Must Die! SUICIDE SILEN
 CE has made a record that eschews the direction-shifts and compromises o
 f their past and recaptured the fire that fueled 2007’s landmark debut\,
  The Cleansing. It’s the sound of a band taking a long\, hard look at th
 eir own legacy and pushing themselves to surpass it. Cut to early 2021 a
 nd SUICIDE SILENCE was nothing short of hungry in the barely post-pandem
 ic world. Regrouped\, reinvigorated and reenergized\, they were in a hea
 dspace of making a record\, “as heavy as possible\,” states guitarist Ma
 rk Heylum. “That was the acronym in the writing sessions – H.A.P. We wou
 ld ask ourselves\, ‘Is it H.A.P.? Is it as heavy as possible?’ If a song
  or riff wasn’t\, it wasn’t going to make the record.” Recent years were
  more than a mere challenge\; they were laden with the sort of obstacles
  that would have crushed most bands. However\, SUICIDE SILENCEare far fr
 om “most bands\,” enduring constant highs and lows over the past decade 
 and pulling themselves out from the wreckage on multiple occasions. They
  overcame the death of iconic vocalist Mitch Lucker in 2012\, triumphed 
 over tragedy with the addition of All Shall Perish growler Hernan “Eddie
 ” Hermida for 2014’s aptly-titled You Can’t Stop Me\; and survived fan b
 acklash over 2017’s divisive self-titled LP\, produced by Ross Robinson.
  Then\, just when things started looking up with 2020’s return-to-form B
 ecome the Hunter\, COVID-19 and the worldwide shutdown nearly stopped th
 e band dead in its tracks. The blunt force trauma of hitting that wall l
 eft SUICIDE SILENCE bloodied\, backs up against a wall they were slowly 
 sliding down\, exhausted. However\, feral instincts kicked in as bloodth
 irst invigorated. “It felt like we had the same sort of hunger and drive
  back when the band started in 2006\,” says Hermida. “It took a pandemic
 \, but we put our heads down and remembered what it was like to be a mus
 ician starving in your garage. It was good to realize that maybe we had 
 become a little jaded as a band\, but it was important to be real to our
 selves and remember who we were.” Remember…You Must Die! Is the SUICIDE 
 SILENCEalbum the most fully captures the spirit of the band’s origins wh
 ile proving themselves just as lethal a proposition as ever. It’s raw\, 
 immediate and in your face from the belligerent breakdowns of the openin
 g title track to the loping\, one-eyed riff of closer\, “Full Void”. Wit
 h their return “home” to Century Media\, the label that SUICIDE SILENCE 
 also released Mitch Lucker era classics including No Time to Bleed (2009
 ) and The Black Crown (2011)\, it’s clear: things have come full circle 
 for the California quintet. Enter producer Taylor Young\, known for his 
 uncompromising studio work with countless hardcore and metal bands as we
 ll as being a multi-instrumentalist himself\, playing with the likes of 
 God’s Hate\, Nails and Twitching Tongues. Recorded in the close confines
  of Young’s San Fernando Valley studio The Pit Recordings\, the verve of
  tracks like “Capable of Violence”\, “Fucked For Life” or “Kill Forever”
  is undeniable. “Taylor understood us in a way no producer has since we 
 did The Cleansing with John Travis\,” says Garza of the album famously r
 ecorded live off the floor. “There’s a deep connection with Taylor that 
 we didn’t even know\, playing shows together in bands locally when Mitch
  first joined the band. How he records is infused with honesty. That goe
 s back to what SUICIDE SILENCE is. Taylor Young is as no-bullshit as it 
 gets.” Part of SUICIDE SILENCE’s recharge is down to the addition of new
  drummer Ernie Iniguez\, a longtime friend of the band who made his reco
 rding debut on Become the Hunter. “I feel like Ernie was the magic ingre
 dient that pushed this record over the top\,” says Hernida. “He came at 
 it from a fan’s standpoint\, from a hungry musician’s standpoint. He als
 o injected that hunger into us\, which was good to have again because I 
 feel like I had lost that at one point.” Long held under the shadow of M
 itch Lucker and the scrutiny of fans\, Remember…You Must Die! is also He
 rmida’s reckoning moment and most visceral performance since his joining
  the band in 2013. There’s no mistaking the desperate snarl\, squeal and
  growl at the center of SUICIDE SILENCE’s sonic maelstrom. “The vocal se
 ssions were just energetic and fast\, which had a lot to do with working
  with Taylor\,” says Hernida. “This is the most straight-to-the-point re
 cord that we’ve done since I’ve been in the band. It’s straight-up heavy
  deathcore\, no fucking rules\, no regulations—kiss our fuckin’ asses!” 
 SUICIDE SILENCE started life in 2002\, in the same Riverside\, CA\, gara
 ge behind Chris Garza’s parent’s house that the band practices in today.
  The goal was as simple as it is today: “We wanted to play the heaviest 
 music possible and play the biggest shows possible\,” Garza recounts. “B
 ringing together elements of hardcore\, death metal and nu metal in a wa
 y that hadn’t been done before.” Releasing a six song self-titled EP on 
 a local label\,\, the band hit the road and never looked back. Solidifyi
 ng a line-up that included bassist Dan Kenny and recently-departed drumm
 er Alex Lopez\, SUICIDE SILENCE signed with Century Media and toured the
  world relentlessly. They became a force to be reckoned with on the back
  of 2007’s wildly successful debut LP The Cleansing\, incendiary sets on
  Mayhem and Download festivals\, and worldwide tours with the likes of J
 ob for a Cowboy\, Parkway Drive\, A Day to Remember and The Acacia Strai
 n. After launching deathcore on Warped Stages and Hot Topic T-shirt rack
 s\, SUICIDESILENCE was awarded the Revolver Magazine Golden God award fo
 r “Best New Talent” in 2009. At no point has deathcore’s extremity retai
 ned zeitgeist had more traction than now. In the Spring of 2022\, SUICID
 E SILENCE co-headlined deathcore’s coming of age tour\, Chaos & Carnage\
 , throughout North America with longtime scene vets Carnifex\, while pla
 ying OG ambassadors to exploding labelmates Lorna Shore\, Signs of the S
 warm and Distant. With the likes of Whitechapel\, Shadow of Intent and B
 rand of Sacrifice rapidly becoming the new face of extreme metal\, SUICI
 DE SILENCE has emerged the ravenous godfathers of their genre. “Deathcor
 e wasn’t exactly a revered genre for many years\,” says Heylum of deathc
 ore’s Myspace era origins. “SUICIDE SILENCE\, Carnifex\, Despised Icon s
 tuck with it and are now seeing our influence on younger bands who are b
 ecoming the face of the genre. Hearing our sound trickle into other band
 s proves to me that we put a small dent in heavy metal\, and that’s pret
 ty badass.” When SUICIDE SILENCE hits the stage now it’s with the confid
 ence of seasoned players firing on all cylinders. While the recent past 
 has been rocky\, it’s those bumps\, scrapes\, left turns and near-trainw
 recks that have brought the quintet back to the lethal riff machine they
  were and are once again. Garza credits the maligned Ross Robinson album
  and its slower\, more experimental take on SUCICIDE SILENCE’s sound as 
 a necessary step towards Remember…You Must Die! “Resets are necessary\, 
 not just in music but in human beings\, and at that point we needed a re
 set\,” asserts the guitarist. “At the time\, had we written another stan
 dard deathcore record\, the band would have been worse-off for it. We to
 ok a step back and tried to find ourselves\, so that when we came back t
 o what people consider our ‘core’ sound\, it’s really SUICIDE SILENCE. O
 n a very deep level\, Ross Robinson brought out an honesty that you real
 ly hear now. I don’t think many bands would have had the balls to do tha
 t.” Make no mistake\, that unflinching sense of self-analyzation is at t
 he core of Remember…. You Must Die! For all its reminted aggression\, so
 ngs like “Alter of Self” or “The Third Death” speak to the mindset of SU
 ICIDE SILENCE two decades deep. “We started doing this super young and h
 ad a boom of success at a young age\,” says Heylum. “That was over a dec
 ade ago. We’ve experienced life and death throughout our career. What I 
 think has happened with all of us is that we’ve experienced mortality an
 d realized how short this life really is. Pretty unintentionally\, that 
 became the theme and core to this record.” If anything\, time hasn’t tak
 en its toll on SUICIDESILENCE. It’s made the five guys who started out a
 s kids in a garage in California’s Inland Empire even more resolute. In 
 2022\, the message is as sharp as the music. Remember…. you must LIVE.\n
 \nTickets: https://www.axs.com/events/1514785/suicide-silence-tickets?sk
 in=globeiron\n\nhttps://findlocal.community/event/db579b30-3c32-4d4a-b13
 0-6072edc8ba98
LOCATION:Globe Iron\, Cleveland\, OH
URL:https://findlocal.community/event/db579b30-3c32-4d4a-b130-6072edc8ba9
 8
STATUS:CONFIRMED
SEQUENCE:0
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