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Lecture Series – The Great American Songbook: Broadway and Hollywood in the 1930s

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Buy In-Person Tickets! Buy a Livestream Ticket! Buy a subscription for the Series! (10% Discount) *Buy a subscription with tickets to all four lectures, or add Tyler Driskill’s Hooray for Hollywood concert for all 5 events, and get 10% off the total cost of individual tickets for each event! Brent Wagner, Host Tyler Driskill, Pianist with singers from the University of Michigan Musical Department Kerrytown Concert House is delighted to welcome back its popular lecture series, The Great American Songbook: What Makes it Great? , now in its third season. Host Brent Wagner, University of Michigan Emeritus Professor of Musical Theatre, leads the exploration, while pianist Tyler Driskill, U-M Assistant Professor of Musical Theatre, brings the music to life at the Steinway — joined by guest singers from the University of Michigan Musical Theatre Department. About the Series Irving Berlin, Cole Porter, Rodgers and Hart, George Gershwin, Jerome Kern, Harold Arlen, Duke Ellington — these extraordinary songwriters produced so many enduring standards in the early twentieth century that their combined body of work has come to be known as “The Great American Songbook.” Recorded countless times by pop singers, jazz artists, dance bands, and even opera singers, these songs continue to be discovered and rediscovered by new generations of performers, who find fresh depth and artistry in these mini-masterpieces. But why have these songs lasted so long? What exactly makes them “great”? Brent Wagner explores the repertoire, illuminating and demonstrating the qualities that have given these songs their enduring, rewarding legacy. About Broadway and Hollywood in the 1930s: In the 1930s, Hollywood became the place to be for American songwriters. After the arrival of “talking pictures” in the late 1920s, the film industry exploded with movie musicals throughout the decade. Broadway composers like Irving Berlin, Cole Porter, and Jerome Kern were lured west, splitting their time between both coasts, while Hollywood cultivated its own stable of songwriters — Harry Warren (“42nd Street”), Johnny Mercer (“Hooray for Hollywood”), and Richard Whiting (“Too Marvelous for Words”). Meanwhile, on Broadway, the Depression years gave rise to socially conscious songs — from the plea of “Brother, Can You Spare a Dime?” to the anthem of hope, “It’s a Lovely Day Tomorrow.” It all culminated in 1939, one of the greatest years in film history, which gave the world the ultimate song of longing: “Over the Rainbow,” from The Wizard of Oz. Join Brent Wagner and Tyler Driskill as they revisit this golden era, when Broadway and Hollywood traded songs — and songwriters — across the country. This event is generously sponsored by Great American Songbook Series Sponsors, Ron & Mimi Bogdasarian You shared and we listened! Tickets for this series sell fast and are very popular, but now, you can get your tickets early AND pick your seats in advance! This year’s lecture series tickets will no longer be general admission, but reserved ticket seating. In-Person Ticket Pricing: Tier 1: $35 (*Student/Youth $25) Tier 2: $30 (*Student/Youth $20) Tier 3: $25 (*Student/Youth $15) Livestream Ticket Pricing: Livestream Access Ticket: $15 Events in the 2026-27 Great American Songbook: What Makes It Great? Series Lecture – Gershwin Edition: Friday, November 6 th, 2026 at 7:30 PM Lecture – Broadway and Hollywood in the 1930s: Sunday, November 8th, 2026, at 4:00 pm Lecture – Broadway in the 1940s & 50s: A Golden Age of Lasting Impact: Friday, February 26 th, 2027 at 7:30 PM Lecture – Broadway in the 1960s: Classic Musicals Among Social Upheaval: Sunday, February 28th, 2027 at 4:00 pm Companion Concert – Hooray for Hollywood! with Tyler Driskill & Friends: Tuesday, March 2nd, 2027 at 7:30 PM Artists: Brent Wagner musical theater professor Tyler Driskill piano

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Kerrytown Concert House

415 N 4th Ave, Ann Arbor, MI 48104

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Listing sourced from Kerrytown Concert House (original page). Details can change — confirm with the venue.